writing
Posted by Caitlin on 03 Aug 2008 | Tagged as: Not Books, writing
One of my hobbies is, as you might have guessed, writing. Sometimes I write stories, sometimes poems, sometimes just blog entries and book reviews.
Lately, though, what I’ve been writing is a whole lot of nothing. This happens, so it doesn’t really distress me, it’s just a little frustrating. I had a couple of things that I was working on, and now I don’t seem to have anything. And I know it’s somewhat of a cop out: I’m a technical writer, I write manuals for a living, and at work, I show up, and I start writing, and I have to do it even when I don’t feel like it. The same tactics can be applied to my creative writing, but I come up with a hundred million excuses not to do the work when I don’t feel like it. It’s been a bleak summer for creative writing.
A friend and I meet about twice a month to share and critique each other’s stuff, but last time, neither of us had much, so we did a couple of writing exercises. We wrote 2 poems each, taking the first line from someone else’s published poem, setting a few rules, and then writing for a specific length of time. I find these kind of exercises great for jarring my brain. Unfortunately, it only seemed to work for that afternoon. We’re meeting again today, and again I have nothing, so maybe another exercise will “take” this time.
So here are the two poems that I wrote last time. They’re not great, but it just felt good to know that whatever “muscle” it is that enables me to write something other than a procedure still works. I no longer remember where the first line of each poem came from - we used her books - but those first lines are not mine. They were the jump-start, so I italicized them.
I
First I became a green grocer: bad.
not my destiny, to be a mere shopkeeper.
Then, I dug my neighbor’s graves.
Also bad. No one thanks you for something
so darkly necessary: they turn their faces.
Finally, a sailor. Ah: here is my fate!
Endless horizon, waves bowing before me;
we disappear to name the conquered lands.
II
With its foot in the door of your head
doubt enters the room.
It’s not polite: it doesn’t ask, “how
are the children?” It doesn’t exclaim
over the beautiful table that you’ve
taken the trouble to set.
It goes right for the bar, fixes two
strong martinis (onion, no olive) and begins
its seduction. It’s not subtle: in fact,
it’s boorish and tiresome, but maybe
that’s exactly why you give in and join it
in the bedroom. Just tired of hearing it talk.














